Up & Comer
Name: Mahmoud Malas
Age: 39
Position: Assistant professor of surgery
at Johns Hopkins Hospital and Johns Hopkins Bayview; chief
of endovascular surgery at Johns Hopkins Bayview
Stats: MD '92, Damascus University Faculty of
Medicine in Damascus, Syria
Scouting report: "He is one of the rising stars
nationally in the area of endovascular intervention," says
Bruce Perler, chief of vascular surgery at Hopkins. "He has
an unbridled enthusiasm for what he does, and great
commitment to patient care." Perler points to the fact that
even as a junior faculty member, Malas is the local
principal investigator of "one of the most important
clinical trials nationally in this decade" — the
Carotid Revascularization Endarterectomy vs. Stenting Trial
(CREST).
Research: Malas is involved in several clinical
trials that compare outcomes of traditional and minimally
invasive vascular surgery. The CREST compares the
traditional carotid endarterectomy (removal of plaque from
a blocked carotid artery, which supplies blood to the
brain) and carotid artery stenting (angioplasty and
placement of a metal stent to keep the carotid artery open
while protecting the brain during the procedure by
placement of a filter). The trial focuses on comparing the
adverse events of both procedures, including stroke and
heart attack.
Mentors: At Hopkins, Perler and Julie Freischlag,
chair of the Department of Surgery. At Montefiore Hospital,
Albert Einstein College of Medicine, Frank Veith, one of
the fathers of traditional vascular surgery, says Malas,
and Takao Ohki, who pioneered the use of the filter during
carotid stenting.
Alternative career: Architect or designer of medical
devices. "I love building things."
Shhh... Malas has a 15-month-old daughter, Hania,
which means "to bring happiness." "That's truly what she
does," he says. "Sometimes early in the morning before I
leave for work, I go and check on her, and I hope she wakes
up so I can play with her. My wife hates that."
—Catherine Pierre
Vignette
The shoes are fabulous: dainty, pointy-toed platforms,
painted with a bird of prey and a tangle of snow-covered
branches, in colors like sky blue, emerald green, and rich
gold. Though, crafted from papier-mâché and
covered in gesso and gouache, they're fit for ghosts more
than girls. Lauren Ross, the artist who made the shoes,
calls them "Slippers for Movement in the Material Realm."
Inspired by a stunning cloisonn&eacuate; vase at Evergreen,
she says she designed them for one of the mansion's ghostly
inhabitants, someone "who keeps one foot in the material
realm, the world of its former belongings, and the other in
the heavens."
Ross is one of five artists whose work is on display in
Building a Legacy: Evergreen Scholars at MICA, at
Johns Hopkins'
Evergreen House through June 3. The scholars are part
of a decades-long relationship between Maryland Institute
College of Art and this historic house, begun by Alice Work
Garrett, a patron of the arts who had supported MICA since
the 1920s. After her death, the Evergreen House Foundation
established a scholarship fund "to assist promising
students in the fine arts to pursue studies" at MICA and
the Peabody Institute. Two rising seniors, one from each
school, have been awarded the scholarship every year since
1965.
Also featured in the exhibition are sculptor and
performance artist Nestor Topchy, sculptor Richard Cleaver,
painter Rita Natarova, and sculptor Colleen Ostrander.
Ross, who graduated from MICA in 1993 and lives in
Baltimore, says that she'll never forget the first time she
visited Evergreen, back when she was in art school. "It's
one of my favorite places in Baltimore," she says.
— MB