| Note: Text highlighted in red indicates that a change has been
made to the course listing. The red text indicates the current, updated information. |
| MUSIC |
376.111 |
RUDIMENTS OF MUSIC THEORY AND MUSICIANSHIP (3) Hardaway / Crouch Limit 15 per section This course introduces written and aural music fundamentals including notation, scales, intervals, chords, rhythm, meter and sight-singing. Students will compose melodies and short pieces and completing listening projects. Course does not count towards the completion of the minor
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Sec. 01
02 |
MWF 10-10:50
MWF 11-11:50 |
376.211 |
MUSIC THEORY AND MUSICIANSHIP I (3) Hardaway / Harder Prereq: Qualifying examination or 376.111 Limit 15 Introduction to basic principles of tonal music through listening, analysis and music making. Students study melody, harmony, voice leading, figured bass and dissonance treatment, and will also undertake short composition projects.
Sec. 02 added 11/29/07 |
Sec. 01
02 |
MWF 12-12:50
MWF 12-12:50 |
376.212 |
MUSIC THEORY AND MUSICIANSHIP II (3) Hardaway Prereq: 376.211 Limit 15
This course continues the written and aural work of the previous course but focuses on chromatic harmony while continuing the study of melody, counterpoint and figured bass. |
Sec. 01 |
MWF 11-11:50 |
376.213 |
MUSIC THEORY AND MUSICIANSHIP III (3) Smooke Prereq: 376.212 Limit 15 Continuation of written and aural work of the previous two semesters. Projects in four-voice writing from figured bass and counterpoint in two and three voices are completed, using as models a variety of styles and composers. Students study simple binary, rounded binary and ternary forms, and compose a short work in a tonal idiom. |
Sec. 01 |
MWF 12-12:50 |
376.242 (H) |
INTRODUCTION TO ROCK MUSIC (3) Mathews Limit 20 per section
A survey of the stylistic features and social contexts of American popular music since the 1950s. |
Lec.
Sec. 01
02
03
04
05
06 |
MW 3-3:50
Th 3-3:50
Th 4:30-5:20pm
F 3-3:50
F 4:30-5:20pm
Th 3-3:50
Th 4:30-5:20pm |
376.407 (H)
(W) |
MUSIC AND EVOLUTION (3) Tolbert Limit 15 This course will examine the bio-cultural evolution of music in light of recent interdisciplinary research on the social bases of human cognitive evolution, and explore its implications for current debates in musicology, ethnomusicology, psychology of music, and human cognitive evolution. |
Sec. 01 |
T 1:30-4 |
