S E R V I C E S

P O R T F O L I O

B U S I N E S S
C A R D S &
S T A T I O N E R Y

D O W N L O A D S

C O N T A C T

D & P  H O M E

To make an appointment or to discuss a new project contact either:

Glenn Simmons Director gsimmons@jhu.edu

Meagan Magagna Production Coordinator mlm@jhu.edu

Bond Street Wharf
901 S. Bond Street, Suite 540
Baltimore, Maryland 21231
Fax: 443-287-9920

Phone: 443-287-9940

Design & Publications maintains a meeting room on campus at

Abel Wolman House, 3rd floor
3213 N. Charles Street
Baltimore, MD 21212

If you are meeting us at our on-campus office, please ring the bell at the side door and come up to the third floor.
 

Doug's strong type sense and thoughtful approach to every design is balanced with an eye to the budget limitations of the client. He believes that good graphic design is a combination of being bold enough to attract attention yet appropriate for the message. His classical sensibility is the foundation for the timelessness of even his most contemporary work. Doug's background in landscape design enhances his understanding of natural scale whether it's type on a printed page or signage on a building.

Kenny Carter Designer

Kenny has worked here for a number of years as an intern and has learned so much from the fantastic designers around him. Acquiring Doug’s sense of type and plaid attire, Royce’s attention to detail and curly hair style, Brian’s wit through illustration and sarcasm, and attempting Oliver’s problem solving for web and his facial hair. The facial hair didn’t really fly. Kenny wears several different hats, designing for print, web and 3-Dimensional clients. Kenny mixes a purist attitude for type and sculpture with an imaginative spirit that constantly pushes him to re-invent himself and simplify his design. If you need him to work quicker, throw him a pack of Haribo gummy bears.

Royce Faddis
Designer

Illustration is Royce's forte and she draws her way to the graphic solution of many projects. Her keen sense of humor can be reflected in clever illustrations or witty headline copy. Her background in print production is the seed for her innovative approach to design that is results-oriented, yet cost-effective. Royce approaches design like a detective—she gathers as much information as possible about the audience of the publication and its purpose before creating a solution.

Oliver Grant Web/Print Designer

Oliver started off working on Macs and graphics software in 1993 as a prepress operator. This experience added to his production knowledge allowing him to think a project through from beginning to end. Taking into consideration all aspects of a job before designing it helps Oliver to deliver a quality end result at a fast pace. Client's needs, budgets, caffeine, and desired results are the motivating factors involved when Oliver is designing everything from a printed piece, to a website. He also has a passion for new technology and enjoys projects involving cutting edge media.

Brian brings a strong fine arts background to his graphic design. His illustration, cartooning, and painting experience lend a strong sense of color and line to his work. Brian's elegant typography combined with his eye-catching use of shape create pieces which are friendly yet powerful and are often executed with a hint of humor. His portfolio includes children's book illustrations, logos, print work, and web design.

Doreen Hunt
Publications Assistant

Doreen's experience in both traditional typesetting and desktop publishing has given her the advantage of knowing what good typesetting is. With an eye to the latest software developments and strong knowledge of word processing programs, Doreen is adept at moving around and organizing long and complex manuscripts. As a professional typesetter, she sees what the untrained eye misses. She combines both speed and accuracy with the special touch of a craftsman.

Ann Stiller
Copy Editor

Ann reviews most of the copy that comes through this office. Working closely with the designers, she tends to the editorial side of our jobs, correcting errors of grammar, spelling, facts, style, and consistency. She is also called in to review work published by other offices. She regularly reads copy for the Gazette and Johns Hopkins Magazine and is the production coordinator for the university catalogs. As a result of her multifaceted job, she brings to our work a broad knowledge of the university.