| Note: Text highlighted
in red indicates that a change has
been made to the course listing. The red
text indicates the current, updated information. |
| THE
PROGRAM IN THEATRE ARTS & STUDIES |
| 225.300
(H)
(W) |
CONTEMPORARY
THEATRE AND FILM: AN INSIDER’S VIEW (3) Astin An introduction to the performing arts, including an
overview of theatre history, acting styles and the interaction
of art and society. A personal view from inside. |
Sec. 01 |
F 10:00-12:30 |
| 225.301
(H) |
ACTING
AND DIRECTING WORKSHOP I (3) Astin/Dunn/Miller Limit 12/section Prereq: 220.300
An introduction to the fundamentals
of acting through exercises improvisation and work on scenes from
established plays, based on the teachings of Stanislavsky,
Greet, Michael Chekhov, Clurman and
Uta Hagen. |
Sec. 01
02
03
04 |
MTW 10
MTW 11
MTW 12
MTW 10 |
| 225.302
(H) |
ACTING
AND DIRECTING WORKSHOP II (3) Astin/Dunn Limit 12 Prereq:
220.301 or Perm.
Req’d. The Sanford Meisner
repetition exercises are introduced. They form the basis of Workshop
II. The Uta Hagen exercises are also
pursued. As in Workshop I, the principal classroom activities
will consist of scene work, exercises, lectures, and discussion.
Some rehearsal will also take place during school hours. It is
expected that substantial out-of-class time be spent on rehearsals
and exercises |
Sec. 01 |
MW 1-2:30 |
| 225.303
(H) |
ACTING
AND DIRECTING WORKSHOP III (3)
Astin Limit
12 Prereq: 225.302 or Perm. Req'd Special attention is given to the development of spontaneity and
emotional freedom using the principles of Workshops I and II.
Hands on work with John Astin’s “The
Process” and the second Silverberg workbook are employed, along
with the Uta Hagen text. Boleslavsky
and Michael Chekhov are introduced. The Clurman,
Meisner, Stanislavsky
and Strasberg approaches are included.
Substantial out of class time is required. |
Sec. 01 |
MW 4:30-6pm |
| 225.307
(H) |
DIRECTING SEMINAR (3) Glossman Limit
8 Fundamentals of mounting, casting
and staging the play; various theories of directing; students
must commit to a practical lab. It is understood that students
have a working familiarity with acting fundamentals. |
Sec. 01 |
M 6-8pm |
| 225.320
(H) |
PERFORMANCE (1-3 credits) Astin
Limit 12 Perm. Req’d.
The student is given specific acting assignments, and develops
them as special projects for public performance under the direct
supervision of the instructor. A professional level performance
is the goal |
Sec. 01 |
TBA |
| 225.314
(H) |
THEATRE: TECHNICAL DIRECTION (3)
Astin
Limit 8 Course added 02/28/06 |
Sec. 01 |
MWF 9 |
| 225.520 |
INDEPENDENT
STUDY: PROJECTS IN THEATRE Astin Perm. Req’d. Special
projects created for and tailored to the individual theatre student.
Enrollment limited. |
Sec. 01 |
TBA |