| Note:
Text highlighted in
red indicates that a change has
been made to the course listing. The red
text indicates the current, updated information. |
| THE
PROGRAM IN THEATRE ARTS & STUDIES |
| 225.300
(H)
(W) |
CONTEMPORARY THEATRE AND FILM: AN INSIDERS VIEW (3) Astin An introduction to the Performing Arts, including an
overview of theatre history, acting styles, and the interaction
of art and society. A personal view from inside. |
Sec. 01 |
Th 2-4:30 |
| 225.301
(H) |
ACTING AND DIRECTING WORKSHOP I (3) Astin / Dunn Limit 12 per section
Formerly 220.300 An introduction to the fundamentals of
acting through exercises, improvisation and work on scenes from
established plays, based on the teachings of Stanislavsky,
Greet, Michael Chekhov, Clurman and
Uta Hagen.
Secs.
04, 05, & 06 added 09/12/05 |
Sec. 01
02
03
04
05
06 |
MTW 10
MTW 11
MTW 12
MTW
10
MTW
11
MTW
12 |
| 225.302
(H)
|
ACTING
AND DIRECTING WORKSHOP II (3) Astin / Dunn Limit 10 Prereq: 220.301 or Perm. Req’d. Formerly 220.301 The
Sanford Meisner repetition exercises are introduced. They form the
basis of Workshop II. The Uta Hagen
exercises are also pursued. As in Workshop I, the principal classroom
activities will consist of scene work, exercises, lectures, and
discussion. Some rehearsal will also take place during school
hours. It is expected that substantial out-of-class time be spent
on rehearsals and exercises. Sec.02
added 04/08/05 |
Sec. 01
02
|
TTh 4:30-6pm
MW
4:30-6pm |
| 225.303
(H)
|
ACTING
AND DIRECTING WORKSHOP III (3) Astin Limit 10 Prereq: 220.301 or Perm. Req’d. Formerly 220.302 Special
attention is given to the development of spontaneity and emotional
freedom using the principles of Workshops I and II. Hands on work
with John Astin's "The Process"
and the second Silverberg workbook are employed, along with the
Uta Hagen text. Boleslavsky
and Michael Chekhov are introduced. The Clurman,
Meisner, Stanislavsky
and Strasberg approaches are included.
Substantial out of class time is required. |
Sec. 01 |
MW 2-3:30 |
| 225.307
(H) |
DIRECTING SEMINAR (3) Glossman Limit 12
Formerly 220.301.02 and 220.302.02 Fundamentals of mounting,
casting and staging the play; various theories of directing; students
must commit to a practical lab. It is understood that students
have a working familiarity with acting fundamentals. |
Sec. 01 |
M 6-8:30pm |
| 225.309
(H)
|
PLAY
PRODUCTION AND STAGEMANAGEMENT (3) Astin / Staff Formerly
220.209 Students will
learn the basics of producing a play, including play selection,
budgeting, organization and management of the staff during both
the pre-rehearsal
and rehearsal periods. The second half of the semester will detail
the job of the stage manager and participate in lab activities
outside of class hours.
Course canceled 09/07/05
|
Sec. 01
|
F 12-2:30
|
| 225.314
(H)
|
THEATRE:
TECHNICAL DIRECTION FOR THE THEATRE (3) Roche
Limit 8 Formerly
220.314 An introduction to Technical Direction including
pre-production and production with an overview of materials, tools,
rigging and safety, together with design and its implementation.
Course canceled 09/07/05
|
Sec. 01
|
MWF 9
|
| 225.520
(H) |
PROJECTS
IN THEATRE Astin
Perm. Req'd. Formerly 220.520
Special projects created for and tailored to the individual
theatre student. Enrollment limited. |
Sec. 01 |
TBA |