| Note:
Text highlighted in red indicates
that a change has been made to the course listing. The red
text indicates the current, updated information. |
| HISTORY OF ART |
| 010.101
(H)
(W) |
INTRODUCTION
TO THE HISTORY OF EUROPEAN ART-PART I (4)
Kupfer Limit 25 per section
A survey of painting, sculpture, and architecture from Egyptian,
Greek, Roman, and medieval culture. the
Renaissance to the present. |
Lec.
Sec. 01
02
03
04
05
06 |
ThF 10:30-12
M 1
M 2
T 12
T 1
W 12
W 1 |
| 010.105
(H) |
ANCIENT
ART OF THE AMERICAS (3) DeLeonardis
Course surveys the visual arts of Andean South America and includes
discussion of royal Inka tunics, Nasca death imagery and the gold sculptural traditions of
Colombia. |
Sec. 01 |
MTW 10 |
| 010.171
(H) |
AMERICAN
ART, 1860-PRESENT (3)
Maynard The course explores
the development of American painting, sculpture, and photography
from the Civil War era to today, with reference to important American
art collectors (as at Hopkins’
Evergreen House)
|
Sec. 01 |
Th 12-3 |
| 010.228
(H) |
MAJOR
BAROQUE ARTISTS: NORTH AND SOUTH (3) Struhal Limit
25 An introduction to the field of
Baroque painting by focusing on the artistic exchange between
Northern and Southern artists from around 1600 to 1640.
Dean’s Teaching Fellowship Course |
Sec. 01 |
MTW 11 |
| 010.304
5 (H) |
ARCHITECTURE
IN THE U.S., 1860-1930 (3) Maynard
Limit 35 40 Tracing
social, cultural, and technological changes that shaped US
architecture from the Civil War to the Great Depression.
|
Sec. 01 |
Th 4-7pm |
| 010.322
(H)
(W) |
PICTURING
THE BIBLE (3) Kessler Limit 25 The course examines the ways in which theology, politics,
and other cultural interests were mapped onto biblical narratives
in manuscripts, murals, and small objects during the Middle Ages.
Research paper and final exam.
|
Sec. 01 |
ThF 10:30-12 |
| 010.356
(H) |
POUSSIN
AND THE ORIGINS OF CLASSICISM (3) Dempsey
Limit 25 Poussin, was the
founder of a permanent idea of classicism in French art, an idea
that continued to engage artists as late as Cezanne. We will
be examining the formation of that style in 17th-century Rome.
|
Sec. 01 |
ThF 12-1:30 |
| 010.367 |
CEZANNE, MATISSE, PICASSO Tuma
Addresses the development
of modernist painting in France between 1890 and 1918 through
an examination of the work of these three essential figures. Course
added 03/31/05 |
Sec.
01 |
MTW
1 |
| 010.378
(H) |
ROMAN
HISTORICAL ART (3) Koortbojian Limit 25 The tradition of historical representation (and its mythic
parallel) from its Greek and Etruscan precedents to its apogee
in Imperial Rome.
Cross-listed with Classics |
Sec. 01 |
MTW 12 |
| 010.390
(H) |
ART
MUSEUM POLICY AND PRACTICE (3) Maguire,
E. Limit 12 Perm. Req’d.
Hands-on seminar looks behind the
scenes at displays and exhibitions, museum operations and programs,
as signs of current thinking about what art, past and present,
may be.
Cross-listed
with Classics and Near Eastern Studies |
Sec. 01 |
T 2-5 |
| 010.501 |
INDEPENDENT STUDY |
|
|
| 010.521
(H)
(W) |
HONORS
THESIS Staff Open
to students by arrangement with a faculty advisor in the History
of Art Department. Interested students should review the program
description available in the department office. |
|
|
| 010.599 |
INTERNSHIPS-HISTORY
OF ART
Satisfactory/ Unsatisfactory only |
|
|
| 010.612 |
THE MEDIEVAL IMAGE Kessler
Drawing on
the work of Belting, Biernoff, Camille,
Carruthers, Didi-Huberman,
Elsner, Hahn, Hamburger, Krueger, Lentes,
Nelson, Rudolph, Schmitt, Wolf, Wirth, and others, the seminar
will examine theories of images and vision in Byzantium
and the Latin West. |
Sec. 01 |
Th 2-4pm |
| 010.623 |
TOPICS IN MODERN ART Fried
Co-taught
by the professor with 3 successive visitors - Stephen Melville,
Elizabeth Legger, and Eric Michaud on topics of the visitors' choosing. |
Sec. 01 |
W T 2-5pm
1-4
|
| 010.625 |
PROBLEMS IN DESCRIPTION Tuma
Examines the role of
description in the analysis and interpretation of works of art.
Emphasis will be placed on 20th century writers and subject matter,
though not exclusively. Course added 03/31/05 |
Sec.
01 |
W
2-4 |
| 010.633 |
RENAISSANCE ART BEFORE RAPHAEL: THE IMPORTANCE OF THE VERNACULAR STYLE
Dempsey An examination of the importance to the early Renaissance of the
conventions of naturalistic representation in the context of a
concept of vernacular expression. |
Sec. 01 |
F 3-5 |
| 010.664 |
TRIUMPHAL FORMS Koortbojian The republican triumph provides the background
for a focus on the new “triumphalist”
ethos of the imperial period and its innovative monumental forms.
Cross-listed with Classics |
Sec. 01 |
M 3-5 |
| 010.685 |
EARLY CHRISTIAN AND BYZANTINE WALL MOSAICS Maguire, H. Focuses
on the techniques and iconographic programs of wall and vault
mosaics and on problems of their interpretation. The alteration
of mosaics by medieval and modern restorers is also considered.
Cross-listed
with Romance Languages |
Sec. 01 |
W 4-6pm |
| 010.801 |
SPECIAL
RESEARCH AND PROBLEMS |
|
|
| 010.803 |
INDIVIDUAL WORK |
|
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