|
| Saturday, October 26, 1991,
8:00 p.m. | |
|
|
|
| King Stephen Overture |
Ludwig von Beethoven |
|
| (1770-1827) |
|
|
|
| Piano Concerto No. 4 in G
major, Op. 58 |
Ludwig von Beethoven |
|
| (1770-1827) |
|
|
|
I. Allegro moderato
|
II. Andante con
moto
|
III. Rondo--Vivace
|
|
Awadagin Pratt,
piano
|
|
|
|
| --Intermission-- |
|
|
|
| Symphony No. 8 in F major, Op.
93 | Ludwig von Beethoven
|
|
| (1770-1827) |
|
|
|
I. Allegro vivace
e con brio
|
II. Allegretto
scherzando
|
III.Tempo di Menuetto
|
IV. Allegro vivace
|
|
| Saturday, December 7, 1991,
8:00 p.m. | |
|
|
|
| Sinfonia Concertante in
B-flat major, Op. 84 | Franz Joseph Haydn |
|
| (1732-1809) |
|
I. Allegro
|
II. Andante
|
III. Allegro con
spirito
|
|
Istvan Szabo,
violin
|
Lynn Glicklich,
violoncello
|
Keith Kaneda,
oboe
|
Margaret Pusztai,
bassoon
|
|
|
|
| --Intermission-- |
|
|
|
| Symphony No. 2 in C minor,
Op. 17, "Little Russian" |
Peter Ilyitch Tchaikovsky |
|
| (1840-1893) |
|
I. Andante
sostenuto; Allegro vivo
|
II. Andantino
marziale
|
III. Scherzo
|
IV. Finale
|
|
| Sunday, March 1, 1992, 3:00
p.m. | |
|
|
|
| Overture to The Barber of
Seville | Gioacchino Rossini
|
|
|
(1792-1868) |
|
|
|
| Capriccio Espagnol | Nicholai Rimsky-Korsakov
|
|
| (1844-1908) |
|
|
|
| I. Alborada |
| II. Variazioni |
| III. Alborada |
| IV. Scene e Canto gitano |
| V. Fandango asturiano |
|
|
|
| --Intermission-- |
|
|
|
| Fantasia para un Gentilhombre |
Joaquin Rodrigo
|
|
| (b. 1902) |
|
|
|
| I. Villano y Ricercare |
| II. Espaoleta y
Fanfare de la Caballeria de Napoles |
| III. Danzo de la
Hachas |
| IV. Canario |
|
| Scott Jackson
Wiley, guitar |
|
| España |
Emmanuel Chabrier
|
|
| (1841-1894) |
|
| Sunday, April 26, 1992, 3:00
p.m. | |
|
| Fantasy on Japanese
Woodprints | Alan Hovhaness
|
|
| (b. 1911) |
|
| Barry Dove,
marimba |
|
|
|
| --Intermission-- |
|
|
|
| Symphony No. 5 in D minor,
Op. 47 | Dimitri Shostakovich |
|
| (1906-1975) |
|
|
|
| I. Moderato |
| II. Allegretto |
| III. Largo |
| IV. Allegro non troppo |
|
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