Brian Stone, Assistant Conductor
Chamber concerts are performed in Levering Hall's Great Hall on the Johns Hopkins University's Homewood campus, 3400 North Charles Street, Baltimore, MD 21218.
The featured work for each concert is listed below. The remaining repertoire for each concert will be announced.
| Sunday, November 14, 1999, 3:00 p.m. | ||
| Trio No. 7 in B-flat, Op. 97 ("Archduke") | Ludwig van
Beethoven | |
| (1770-1827) | ||
| I. Allegro moderato | ||
| II. Scherzo | ||
| Roslyn Preston, Violin - Eva Silversmith, Cello | ||
| Betty Scheen, Piano | ||
| Partita No. 1 | J.S.
Bach | |
| (1685-1750) | ||
| I. Praeludium | ||
| II. Allemande | ||
| III. Corrente | ||
| IV. Sarabande | ||
| V. Menuet I | ||
| VI. Menuet II | ||
| VII. Gigue | ||
| Marcus Plieninger, Piano | ||
| Quartet in D minor, Op. 34 | Antonín
Dvorák | |
| (1841-1904) | ||
| I. Allegro | ||
| II. Allegretto scherzando | ||
| III. Adagio | ||
| IV. Poco allegro | ||
| The Raven Quartet | ||
| John Stanmore, Violin - Danielle Galina, Violin | ||
| Mark Mollenhauer, Viola - Alice Briggs, Cello | ||
| --Intermission-- | ||
| Carnival of the Animals | Camille
Saint-Saëns | |
| (1835-1921) | ||
| I. Introduction et
Marche royale du Lion (Introduction and Royal March of the Lion) | ||
| II. Poules et Coqs (Hens and Cocks) | ||
| III. Hémiones
(Animaux véloces) (Wild Jackasses) | ||
| IV.Tortues (Tortoises) | ||
| V. L'Eléphant (The Elephant) | ||
| VI. Kangourous (Kangaroos) | ||
| VII. Aquarium (Aquarium) | ||
| VIII. Personnages à longues
oreilles ( Personages with Long Ears) | ||
| IX. Le coucou au fond des bois (The Cuckoo in the Depth of the Forest) | ||
| X. Volières (Aviary) | ||
| XI. Pianistes (Pianists) | ||
| XII. Fossiles (Fossils) | ||
| XIII. Le Cygne (The Swan) | ||
| XIV. Final (Finale) | ||
| Conductor: Aaron Sherber | ||
| Narrator:
Jonathan
Palevsky | ||
| Violin I: Andrew White, John Stanmore, Anne-Elizabeth Murdy | ||
| Violin II: Eugene Cho, Laurie White | ||
| Viola: Mark Mollenhauer, Mary Parlange, Stephan Lieske | ||
| Cello: Neil Patel, Eva Silversmith, Alice Briggs | ||
| Bass: David Frieman, Ellsworth Briggs | ||
| Flute/piccolo: Steve Haaser | ||
| Clarinet: Larry Brown | ||
| Percussion: John Raczek, Ahnika Kline | ||
| Piano: Ina Allen, Kristin Runge | ||
| Sunday, February 13, 2000, 3:00 p.m. | ||
| Concerto No. 3 in D Major | J. de Boismortier | |
| (1691-1755) | ||
| I. Allegro | ||
| II. Adagio | ||
| III. Allegro | ||
| JHU Flute Choir | ||
| Christy Comeaux, Erika
Hunsicker, Megan Mentick | ||
| Yuki Osuga, Amanda Owens, Jennifer Smolin | ||
| Scherzo - Tarantella | Henri Wieniawski | |
| (1835-1880) | ||
| John Stanmore, Violin - Carrie Stubblefield, Piano | ||
| Clarinet Trio in A Minor, Op. 114 | Johannes
Brahms | |
| (1833-1897) | ||
| I. Allegro | ||
| II. Adagio | ||
| III. Andantino grazioso | ||
| IV. Allegro | ||
| Larry Brown, Clarinet - Alice Briggs, Cello | ||
| Ina Allen, Piano | ||
| Suite for Wind Orchestra from ``The Threepenny Opera'' | Kurt
Weill | |
| (1900-1950) | ||
| I. Overture (Maestoso) | ||
| II. The Ballad of Mack the Knife (Moderato assai) | ||
| III. Instead-of Song (Moderato) | ||
| IV. Ballad of the Easy Life (Foxtrott) | ||
| V. Polly's Song (Andante con moto) | ||
| VI. Tango-Ballad | ||
| VII. Cannon Song (Charleston-Tempo) | ||
| VIII. Threepenny-Finale | ||
| Conductor: Brian Stone | ||
| Flute/Piccolo: Steve Haaser, Karen Yanson | ||
| Clarinet: Shannon Shin, Larry Brown | ||
| Alto saxophone: Anjan Shah | ||
| Tenor/Soprano saxophone: David Stambler | ||
| Bassoon: Lisa Seischab, Zachary Cummings | ||
| Trumpet: Tom Shields, Paul DeLuca | ||
| Trombone: Charles Phillips | ||
| Tuba: Brian Bird | ||
| Timpani: Max Derrickson | ||
| Percussion: Julian Pellicano | ||
| Piano: Kristin Runge | ||
| Guitar:Kurt Utteneither | ||
| Banjo:Sean Hundtofte | ||
| Accordian: Mark Vidor | ||
| ||
| Sunday, April 9, 2000, 3:00 p.m. | ||
| Symphony No. 22 in C Major, K. 162 | W.
A. Mozart | |
| (1756-1791) | ||
| I. Allegro assai | ||
| II. Andantino grazioso | ||
| III. Presto assai | ||
| Conductor: Jed Gaylin | ||
| Violin I: John Stanmore, Andrew White, Eugene Cho, Laurie White | ||
| Violin II: Anne-Elizabeth Murdy, Samira Phillips, Anne Boehm | ||
| Viola: Mary Parlange, Stephan Lieske | ||
| Cello: Stephen Dudycha, Eva Silversmith, Natalie Blades | ||
| Bass: Ellsworth Briggs | ||
| Oboe: Keith Kaneda, Katrina Fishler | ||
| Horn: Natica Blanch-Losee, Mark Benson | ||
| Trumpet: Tom Shields, Michael Comeau | ||
| Quartet in F Major, Op. 135 | Ludwig
van Beethoven | |
| (1770-1827) | ||
| I. Allegretto | ||
| II. Vivace | ||
| III. Lento assai, cantante e tranquillo | ||
| IV. Grave ma non troppo tratto - Allegro | ||
| The Raven Quartet | ||
| John Stanmore, Violin - Danielle Galina, Violin | ||
| Mark Mollenhauer, Viola - Alice Briggs, Cello | ||
| --Intermission-- | ||
| Suite for Violin, Clarinet, and Piano | Darius
Milhaud | |
| (1892-1974) | ||
| I. Ouverture | ||
| II. Divertissement | ||
| III. Jeu | ||
| IV. Introduction et Final | ||
| Anne-Elizabeth Murdy, Violin - Ken Henschel, Clarinet | ||
| Nick Kang, Piano | ||
| Suite for Viola da Gamba | Georg Phillip Telemann | |
| (1681-1767) | ||
| I. Ouverture | ||
| II. La Trompette | ||
| III. Sarabande | ||
| IV. Rondeau | ||
| V. Bourrée | ||
| VI. Courante | ||
| VII. Double | ||
| VIII. Gigue | ||
| Ann Marie Morgan, Viola da Gamba | ||
| William Simms, Theorbo | ||
| Conductor: Jed Gaylin | ||
| Violin I: John Stanmore, Andrew White, Eugene Cho, Laurie White | ||
| Violin II: Anne-Elizabeth Murdy, Samira Phillips, Anne Boehm | ||
| Viola: Mary Parlange, Stephan Lieske | ||
| Cello: Stephen Dudycha | ||
| Bass: Ellsworth Briggs | ||
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Last modified April 7, 2000 Keith Kaneda (kaneda@jhu.edu)
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