
![]() Each day between 2:30 and 5:00 P.M. we go to the Beit Canada to study our pottery. Jay Van Rensselaer sets up to photograph the diagnostic sherds on a porch bench outside the house's kitchen. Whatever works. |
![]() Abigail McGuirk studies a sherd and gives the code to Tom Kittredge who records it. In the background is Betsy Teasley Trope and Tammy Krygier. |
![]() Sitting in the courtyard of Beit Canada, Hardy Bryan is busy coding pottery, with spare baskets waiting for analysis. |
![]() Yasmin el-Shazly is working on a large basket of sherds with her music blaring. Her tape mix included "Notre Dame de Paris", the musical, and Savage Garden. Which one is it here? |
![]() As work proceeds clearing east of the Thutmose III gateway, Violaine Chauvet pauses to write notes. Our pottery remains mixed around the gate and suggests that the area continued to be churned up, perhaps even up until a recent period. |
![]() The right jamb on the east side of the gateway has now been exposed low enough that we find a large sandstone slab fitted as an ancient repair - and still in place. We look forward to finding out how large it is and whether it was once painted with inscriptions. |
![]() Working west of the first court of the Mut Temple, Tammy Krygier, Betsy Teasley Trope, and Yasmin el-Shazly take notes on a new packed surface that has emerged. In the background on the left of the shallow square, a whitish rectangle indicates a mud brick surface that is still whitewashed. |
![]() A photo of the front half of the Mut precinct taken from the west of the Thutmose III gateway provides a view of how our work at the two gates is related. The entrance to the enclosure in the 18th Dynasty and later New Kingdom may well have led directly to the sacred lake where priests bathed for purification before rituals, but the connection to the west gate of the Temple's first court is also possible. So far we have a very late form of that latter gate, but we will be excavating to New Kingdom levels eventually. |
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